Game 30

Episode List

David goes in to town to warn Thieve’s Guild and Master Raten’s about what transpired in Cormyrian city. He delivers Otto’s letter to Thomas at the temple and then proceeds to the Horse Statue. The market is deserted (this is odd), save for Tolfor waving in the distance. Although he smiles broadly, he makes thieve’s cant symbol for not safe. David attaches a note to bolt and fires it next to Tolfor. Considering his message delivered, he turns to leave, but before he does he sees a shadowy figure move on the roof. Feeling pressed for time, he heads back to Tyr’s Lost Boys.

Back at camp, Damian disappears into book. He is unsettled by the body on the ground, and the shifting nature of the portraits. He decides to explore the house under the safety of invisibility. He finds:

* Greenhouse like building.

* Couple of locked cellar doors he had not noticed before.

* Study with shelves that look like they could have at one time held books.

* Take to minutes to cast Detect Magic in pocket dimension. See illusion aura around Damian, divination around bracelet., and conjuration around portal mirror. Painting with an abjuration aura around it.

* Damian takes us down cellar hallway. There is evidence of activity around door. Upon opening we see rows and rows of paintings, all sevens of the house on the hill. At the end of the hallway is average lady painting. Damian casts dentistry:

Woman writing a book. Other women around her age around her. Her eyes fixate on a man. Damian recognizes it as man he saw in painting before. Behind him is a house on a hill. The same house that we are in. She looks sad and dejected, and keeps writing.

First Check: woman is older, 17 or 18. Descending the stairs, walks to the door, stares at it. Wants to go outside, timidly, shyly, starts to reach her hand out. A woman who is much older slams her hand on the door, and looks at her with stern look. Girl recoils as if hit. Goes up the stairs. You see her move up into this place and opens this book, and she continues to write. You see that she is writing an incredibly complicated lines of magnography, interwoven with each other in a seamless pattern. At that point she stops and freezes. You see the young man. He stops and looks at the window. She shys away from it. You see him look up and smile, and wave, and she shys away again. There’s more, but it’s not fucking good enough PHIL!

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